
Have a great Tuesday!
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This summer I've re-acquainted myself with my balcony.
This blog will not be about books, but about my other great love. Music.
Don't you know that love isn't just going to bed? Love isn't an act, it's a whole life. It's staying with her now because she needs you; it's knowing you and she will still care about each other when sex and daydreams, fights and futures -- when all that's on the shelf and done with. Love -- why, I'll tell you what love is: it's you at seventy-five and her at seventy-one, each of you listening for the other's step in the next room, each afraid that a sudden silence, a sudden cry, could mean a lifetime's talk is over.
It is a slightly arresting notion that if you were to pick yourself apart with tweezers, one atom at a time, you would produce a mound of fine atomic dust, none of which had ever been alive but all of which had once been you.
It's pretty obvious that I haven't been blogging much lately -- for quite a while now I have not been reading as much, nor writing as much as I once did.
And sometimes remembering will lead to a story, which makes it forever. That's what stories are for. Stories are for joining the past to the future. Stories are for those late hours in the night when you can't remember how you got from where you were to where you are. Stories are for eternity, when memory is erased, when there is nothing to remember except the story.
Some people have all the fun!
Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer’s head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.
So this morning I was in a great hurry. Not only had I somewhat slept in, but only after waking did I remember I was supposed to go in early today. As I wolfed back some cereal the coffee finished brewing and I put together a lunch. It's called multi-tasking.
I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone.
What should I do about the wild and the tame? The wild heart that wants to be free, and the tame heart that wants to come home. I want to be held. I don't want you to come too close. I want you to scoop me up and bring me home at nights. I don't want to tell you where I am. I want to keep a place among the rocks where no one can find me. I want to be with you.
I have always had some sort of innate feeling that I needed to be geographically connected to the place in which I reside.
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
Just as a side-note to my former blog -- [two in one night Cipriano? That's downright promiscuous!] -- that last one was #2,600 in the Bookpuddle© pantheon of [non] award-winning bloggage.
Well, what better day than today to write of apocalyptic literature?
Before I knowed it, I was sayin' out loud, "The hell with it! There ain't no sin and there ain't no virtue. There's just stuff people do. Some things folks do is nice, and some ain't so nice. And that's all any man's got a right to say."
In the world I notice persons are nearly always stressed and have no time...I don't know how persons with jobs do the jobs and all the living as well...I guess the time gets spread very thin like butter all over the world, the roads and houses and playgrounds and stores, so there's only a little smear of time on each place, then everyone has to hurry on to the next bit.
The thought arrested her and she pulled away from him just to stand there a moment and take in the strangeness of it all. Music drifted down to her then, an odd tinkling sort of music with a rippling rhythmic undercurrent that seemed to tug the melody in another direction altogether, into the depths of a deep churning sea, but beautiful for all that, and so perfect and unexpected. She felt languid and free--all eyes were on her, every man turning to stare--and it came to her that she loved this place, this moment, these people. She could stay here forever, right here, in the gentle sway of the Japanese night.
I don't know what is wrong with me lately. The only thing I haven't been "putting off" is procrastination itself!
If you can approach the world's complexities, both its glories and its horrors, with an attitude of humble curiosity, acknowledging that however deeply you have seen, you have only scratched the surface, you will find worlds within worlds, beauties you could not heretofore imagine, and your own mundane preoccupations will shrink to proper size, not all that important in the greater scheme of things.
I think that most of us, anyway, read these stories that we know are not 'true' because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story.
I spent part of yesterday and today with a novel.
Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma - which is living with the results of other people's thinking. Don't let the noise of other's opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary. 
And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about.
Collective Soul "Welcome All Again" from Ross Ching on Vimeo.

She had an overwhelming desire to tell him, like the most banal of women. Don't let me go, hold me tight, make me your plaything, your slave, be strong! But they were words she could not say. The only thing she said when he released her from his embrace was, "You don't know how happy I am to be with you." That was the most her reserved nature allowed her to express.
It is in dialogue with pain that many beautiful things acquire their value. Acquaintance with grief turns out to be one of the more unusual prerequisites of architectural appreciation. We might, quite aside from all other requirements, need to be a little sad before buildings can properly touch us.
It truly has been a "good" Friday for me.